Thursday, April 21, 2016

In the Mirror of Moments. Part 6.

It was the time when he cherished the idea of Luchaferul ballet. He wrote music to some scenes, but put this work aside for a while.



"I started composing the ballet as early as 1973. But when it came to the musical image of Luchaferul, the work stumbled. As it turned out, I was simply not ready for it. I could not portray that personage by means of music, and though the beginning was rather successful, I had to stop. Ten more years passed in writing songs, film music, a lot of other things, and it was only when I started composing music for the children videofflm This Fantastic World that I felt the closeness of this make-belief world to that eternal, alluring world of the sky, where the star-boy had lived. But there should have been an additional impulse for music to appear...



Luchaferul, a well-known poem by the great Mol­davian poet Mikhail Eminescu, has not been used either by theatre or cinema for quite a long time because of its boundlessness of thought and complexity. Philo­sophy and lyrics, a parable and real facts, a multitude of themes interwoven with one another into a single plot — all these comprise the body of the poem. Emi-nescu's personal ideas and emotions expressed in it are so human in their nature, that they have become eternal and universal.



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